ERD

No image. No reference. Just the name. Every other piece in this collection carries something — a historical photograph, a mythological creature, a philosophical citation, a face dissolving into light. This one carries nothing except the brand name, spelled out in full, left-aligned, two...

Same name. Different damage. This is the grey version of the Full Name hoodie — same composition, same typeface, same two lines at chest height. The name is still there: ENFANTS RICHESDÉPRIMÉS But the ground is different, and so is what’s happened to it....

The clearest version of the statement. Three colorways carry the same name. The grey one has been splattered with paint. The blue one fades toward the center. This one does neither. It is washed black — deep, even, softened by treatment but not distorted...

The zipper runs through her face. Washed black heavyweight fleece, zip-up construction. This is not a pullover — the zip-up format is a structural decision: the zipper bisects the front panel, and the image composition is built around that split. The photographs do not...

Closed, they face each other. Open, they are each alone. Same construction as the Madonna zip-up — washed charcoal heavyweight fleece, full-zip, dropped shoulder, oversized — but a completely different image logic. Where the Madonna jacket places a single photograph across the zipper and...

The name. The figure. The instruction. Black heavyweight cotton. The front carries three things, arranged loosely across the surface as though placed rather than designed: the brand name broken into three lines at the top, a hand-drawn figure on the right, and a two-part...

Same figure. No cover of darkness. This is the white version of the Poet T-shirt — identical composition, identical type, identical figure, identical instruction. The differences are surface and total. White heavyweight cotton. Black ink. The same three-line brand name in wide-tracked sans-serif capitals,...

Everything in this image has already happened. White heavyweight cotton. The front carries a single word at the top and a collage below it — not a designed graphic, but a reproduction of what looks like an archive folder emptied onto a surface: photographs...

Depressed rich kids. Eating instant noodles. White heavyweight cotton. The front carries one word at the top and two figures below it, and the combination is the most deadpan thing ERD has made. The word: EnFAnTs Mixed case — some letters capitalized, some not,...

Same girls. Different hour. Black heavyweight cotton. Same composition as the white version — the assembled-letter word overhead, the two figures eating instant noodles below — but on black, everything shifts. The white version reads like afternoon. This one reads like 2am. The word:...

The face is melting. The keys are waiting. Black heavyweight cotton. Two elements on the front, side by side, neither explaining the other. On the left: a face. A child’s face, printed in high-contrast black and white from a photograph — heavily exposed, the...

When the image becomes self-delusion. ERD becomes a symbol. Black heavyweight cotton. The front carries a nine-panel grid of black and white photographs, framed by text on three sides — an arrangement that reads less like a garment graphic and more like a page...

Not a graphic. A page. Terracotta heavyweight cotton — the only warm-ground piece in the series, a burnt clay color that sits outside the black-and-white logic of everything around it. Dark brown ink. The front looks like something torn from a notebook and transferred...

Black heavyweight cotton. High-contrast photographic print of a male figure in a martial arts stance, holding a round object — face obscured by shadow and a hat brim, body rendered in blown-out white and deep black. Above the figure, in a distressed red cursive...

Yellow heavyweight cotton. Dark brown/black print. Center front: a framed photographic image of two figures seen from behind — one in a wedding dress, one in a dark suit, seated side by side. A yellow sticker across their backs reads NEED YOU LAST SUNDAY....

Black heavyweight cotton. Full-front warm-toned photographic print of a female figure — dark hair, partially unclothed, shot in soft focus with a vintage pin-up quality. The image fades at the edges into the black ground. Above the figure in gold-yellow lowercase: enfants. Overlaid across...

White heavyweight cotton. Black and khaki photographic collage print, center front. The composition layers two figures: a man in sunglasses smoking in the foreground, partially overlapping a framed image behind him containing a second figure. Overlaid on the framed image, a text block reads:...

White heavyweight cotton. Gray print. A square-framed composition fills the front: inside, a high-contrast photographic image of a figure in a field or outdoor setting — partially obscured by large abstract ink splatter marks that consume the upper and lower portions of the frame,...

White heavyweight cotton. Black print. The front carries a dense collage composition — two photographic figures, handwritten text, and mixed typography assembled like a xeroxed zine page. Upper left: a photograph of a woman, partially obscured. To her right, in bold hollow block letters...

White heavyweight cotton. Black print, front and back. Front: A high-contrast photographic image of a young boy on a go-kart or small vehicle, slightly blurred, shot at close range. To the right of the image, the brand name stacked vertically with black stars as...